Gertrude Press stands in solidarity with Black Lives Matter, and commits to continue to feature the stories, art and voices of the Black queer and trans people who have always been on the front lines of revolution.
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CNF: Yes, Eve, I will Eat Your Apple by Blue POETRY: Why Am I Like This and 168 York Street Cafe by Rob Colgate FICTION: Talking Bodies by Ark Ramsay CNF: Joy by Charlie VJ Bartlett FICTION: Falling by Patrick Earl Ryan CNF: Makeout Lessons by Kimberly Dark FICTION: Jakub Buczkowski’s Very Pretty Ghost Keir Newkirk POETRY: Devil's Rope, Testament's Winter by Kelly Weber: CNF: Pont Neuf by Eddy Boudel Tan ARTIST Q&A: Banned from China? Why yes, he is. Learn about this and more in our Q&A with Michael Thompson... HAVE YOU READ? Our new feature highlighting often overlooked work. This time: Rivers Solomon... |
FROM OUR COVER ARTIST:
"This project was born of a missed opportunity. I read an article about the publication of the panels of a Doonesbury cartoon that were printed as a series of postage stamps, and how viewers had cut the panels out of the newspaper, glued them onto envelopes, addressed the envelopes and dropped them into a mailbox. They were subsequently delivered, with cancellations! It seemed such a wonderful subversion: taxation with someone else's representation. Weeks later, while thumbing a national news magazine, I found myself staring at a cartoon stamp with Bugs Bunny, ears protruding beyond the frame, oversized, just the thing... I promptly cut the image from the page, affixed it to an envelope and dropped it into a mailbox. It arrived the next day. Cancelled. I was hooked." Read more in our interview with Michael...
"This project was born of a missed opportunity. I read an article about the publication of the panels of a Doonesbury cartoon that were printed as a series of postage stamps, and how viewers had cut the panels out of the newspaper, glued them onto envelopes, addressed the envelopes and dropped them into a mailbox. They were subsequently delivered, with cancellations! It seemed such a wonderful subversion: taxation with someone else's representation. Weeks later, while thumbing a national news magazine, I found myself staring at a cartoon stamp with Bugs Bunny, ears protruding beyond the frame, oversized, just the thing... I promptly cut the image from the page, affixed it to an envelope and dropped it into a mailbox. It arrived the next day. Cancelled. I was hooked." Read more in our interview with Michael...
